Publisher's description
"Shadow Plays explores popular forms of entertainment used in the
eighteenth and nineteenth centuries to transport viewers to a new world,
foreshadowing present-day virtual, augmented, and extended reality
experiences (VR, AR, and XR). Typically studied as part of the prehistory
of cinema or the archaeology of media, analog technologies such as the
mondo nuovo or cosmorama, the magic lantern, the moving panorama, and the
stereoscope evoked shadow copies of our world long before the advent of
digital technologies and exercised a powerful pull on minds and
imaginations. Through six case histories and eight interactive simulations,
Massimo Riva explores themes of virtual travel, social surveillance, and
utopian imagination, shedding light on illustrious or, in some instances,
forgotten figures and inventions from Italy's past. Arguing for the
continuity of experience and imagination, Riva adopts the term virtual
realism, an experience marked by the virtualization of the real and the
realization of the virtual. At a time when the gap between simulations and
"real" experiences is getting ever smaller, a cultural-historical
exploration of the prehistory of virtual reality can help us better
understand the present in light of the past while exploring the past using
the tools forged in the present."--Stanford University Press
Experimental aspects:
Through six case histories and eight interactive simulations, Massimo Riva explores themes of virtual travel, social surveillance, and utopian imagination, shedding light on illustrious or, in some instances, forgotten figures and inventions from Italy’s past. Arguing for the continuity of experience and imagination, Riva adopts the term virtual realism, an experience marked by the virtualization of the real and the realization of the virtual. At a time when the gap between simulations and “real” experiences is getting ever smaller, a cultural-historical exploration of the prehistory of virtual reality can help us better understand the present in light of the past while exploring the past using the tools forged in the present.